Christian Petzold and a German Connection With His Films


“Talking to him you feel how much he loves literature and stories,” Ms. Beer said, adding that “after reading the script together we will watch movies and he will talk about books that refer to our work.”

The 28-year-old actress, who answered questions via email while serving on a jury at Cannes, said Mr. Petzold created a “very inspiring working atmosphere” on set.

“Christian tells us his ideas about the scene, maybe other things that he was thinking of that fit to the atmosphere and situation,” she said, adding, “Every thought or idea is welcome.”

Anton Kaiser, of Schramm Film, the Berlin-based production company behind “Afire” and 12 of Mr. Petzold’s previous films, said Mr. Petzold likes to shoot in the summer and edit in the fall, which means that his films tend to be ready in time for the Berlin festival, which is held in February.

“Each film of Petzold’s is recognizable, but each new film is also a step forward,” Carlo Chatrian, the Berlin festival’s artistic director, said in a phone interview.

“They are cerebral, but they are not heavy, especially the last two,” he added, referring to “Afire” and “Undine,” both of which he programmed at the festival, as films with a note of humor that is new for the director.

“I’m happy, on one hand, to be able to support Christian Petzold as an auteur and as an artist,” Mr. Chatrian said. “At the same time, I’m happy when his films can travel, because I think it’s a pity that he is not enough known outside Germany.”



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