Navajo Artist Melissa Cody Reclaims a Symbol That the Nazis Weaponized

A version of this essay originally appeared in Reframed, the Art in America newsletter about art that surprises us and works that get us worked up. Sign up here to receive it every Thursday. In Melissa Cody’s 2014 weaving Good Luck, a figure known as Rainbow Man is represented as an electrical cord, his lower half culminating in a two-pronged plug. His…

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